The Race for the 2025 Oscar for Best International Feature Film
As the film industry gears up for the 97th Academy Awards, set to take place on March 2, 2025, at the iconic Dolby Theatre in Los Angeles, the excitement surrounding the Best International Feature Film category is palpable. With entries now underway, filmmakers from around the globe are vying for a coveted spot among the nominees. This article delves into the intricacies of the submission process, the criteria for eligibility, and highlights some of the latest submissions from various countries.
Understanding the International Feature Film Category
The Best International Feature Film category is defined by specific criteria set by the Academy. To qualify, a film must be a feature-length motion picture (over 40 minutes) produced outside the United States, with a predominantly non-English dialogue track (more than 50%). This category is inclusive of animated and documentary features, showcasing the diverse storytelling styles found across different cultures.
For a film to be eligible for the 2025 Oscars, it must have been released theatrically in its home country between November 1, 2023, and September 30, 2024. The deadline for submissions to the Academy is October 2, 2024. Following this, a shortlist of 15 finalists will be announced on December 17, 2024, leading to the final five nominees revealed on January 17, 2025.
A Look Back at Previous Submissions
The previous year saw 88 submissions for the 2024 Oscars, with five films earning nominations. Notable entries included Japan’s Perfect Days, Italy’s Io Capitano, Spain’s Society of the Snow, Germany’s The Teachers’ Lounge, and the eventual winner, the UK’s The Zone of Interest. This year, the competition is expected to be just as fierce, with a variety of compelling narratives emerging from different corners of the world.
Latest Submissions for the 2025 Oscars
As of now, several countries have announced their submissions for the 2025 Oscars, each bringing unique stories and perspectives to the forefront:
Haiti: Kidnapping Inc. (Bruno Mourral)
This marks Haiti’s third-ever Oscar submission, premiering at Sundance and later winning accolades at Fantasia. The film follows two criminals tasked with transporting the kidnapped son of a presidential candidate, only to face unexpected challenges when the victim is accidentally killed. The film features a talented cast, including Jasmuel Andri and Rolaphton Mercure.
Cameroon: Kismet (Ngang Romanus Ntseh)
Representing Cameroon for the second time, Kismet tells the story of a young woman risking everything to bridge the gap between two warring factions to protect her love. This submission highlights the ongoing struggles within the region.
Tajikistan: Melody (Behrouz Sebt Rasoul)
After a previous submission was declined, Rasoul’s Melody follows a music teacher who returns to her village to capture a specific birdsong, intertwining themes of nostalgia and loss. This film is a testament to the resilience of Tajik cinema.
Bosnia and Herzegovina: My Late Summer (Danis Tanović)
Tanović, who previously won an Oscar in 2002, returns with a story about a woman confronting her past while resolving an inheritance dispute on a remote island. This film promises to explore deep emotional landscapes.
Paraguay: The Last (Sebastián Peña Escobar)
In this documentary, Peña Escobar joins scientists on an expedition in Paraguay’s Gran Chaco region, highlighting the environmental threats posed by deforestation and wildfires. The film aims to raise awareness about ecological issues.
Tunisia: Take My Breath (Nada Mezni Hafaiedh)
This drama centers on a 23-year-old seamstress who runs away after her intersex identity is exposed. The film, which premiered at the Warsaw Film Festival, explores themes of identity and societal acceptance.
Highlights from the Americas
The Americas are also well-represented in this year’s submissions:
Argentina: Kill The Jockey (Luis Ortega)
This film has already garnered attention at major film festivals, showcasing Argentina’s vibrant cinematic landscape.
Brazil: I’m Still Here (Walter Salles)
Based on a true story, this drama delves into the disappearance of a Brazilian congressman, exploring the impact on his family.
Colombia: La Suprema (Felipe Holguin)
Set in a remote village, this film follows a teenage girl’s determination to watch her uncle compete in a boxing match, reflecting the power of community and resilience.
Mexico: Sujo (Astrid Rondero and Fernanda Valadez)
This submission is expected to make waves, given the filmmakers’ previous successes in the documentary category.
The Asian and Pacific Submissions
Asian cinema continues to thrive, with several noteworthy submissions:
Bangladesh: The Wrestler (Iqbal H Chowdhury)
This film tells the story of an eccentric fisherman training in a traditional wrestling form, showcasing cultural heritage.
India: Lost Ladies (Laapataa Ladies) (Kiran Rao)
A light-hearted satire on patriarchy, this film explores the chaos that ensues when two brides are mistakenly swapped.
Japan: Cloud (Kiyoshi Kurosawa)
This thriller follows a young man entangled in mysterious events while reselling goods online, promising suspense and intrigue.
South Korea: 12.12: The Day (Kim Sung-soo)
A historical drama based on true events, this film explores a pivotal moment in Korean history, reflecting on the nation’s tumultuous past.
European Entries
European filmmakers are also making their mark with compelling narratives:
Austria: The Devil’s Bath (Severin Fiala and Veronika Franz)
This film has already made waves at the Berlin Film Festival, showcasing Austria’s strong cinematic presence.
Italy: Vermiglio (Maura Delpero)
A Venice Silver Lion winner, this film is expected to resonate with audiences and critics alike.
Spain: Saturn Return (Isaki Lacuesta and Pol Rodríguez)
This submission promises to explore deep emotional themes, continuing Spain’s tradition of powerful storytelling.
Middle Eastern and African Voices
The Middle East and Africa are also represented with poignant stories:
Algeria: Algiers (Chakib Taleb-Bendiab)
A psychological thriller that delves into the complexities of urban life and societal issues.
Egypt: Flight 404 (Hani Khalifa)
This film tackles personal and societal challenges faced by a woman on the brink of a significant life change.
Morocco: Everybody Loves Touda (Nabil Ayouch)
A musically-driven drama that explores the dreams and struggles of a mother and her deaf-mute son.
Conclusion
As the submissions for the 2025 Oscars continue to roll in, the diversity of stories and perspectives from around the world is a testament to the power of cinema. Each film represents not just the artistic vision of its creators but also the cultural narratives of its home country. With the shortlist and nominations yet to be revealed, the anticipation for this year’s Oscar race is sure to build, promising a celebration of global storytelling at its finest.